At SOMNI Studios, every detail of our setup is designed to deliver world-class sound. Our control rooms, live rooms, and booths are equipped with premium preamps, precision outboard gear, and a curated selection of microphones to capture every nuance. From analog warmth to digital precision, our gear collection supports projects of every scale—from full-band recordings to ADR sessions, mixing, and mastering—ensuring your music or production reaches its fullest potential.
Highlighting the high-quality preamps that shape the sound from the very first signal.
Preamps
- Warm Audio WA273-EQ (8ch)
- Warm Audio WA412 (8ch)
- Focusrite Octopre Dyn MKii (8ch)
- Manley Force (4ch)
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- DBX 786 (2ch)
- Warm Audio TB12 (1ch)
- Avalon VT737-SP
Showcasing analog compressors, EQs, and processors that refine tone and dynamics.
Outboard
- Emperical Labs Distressor EL-8 (2ch)
- SPL Transient Designer 9842 (4ch)
- DBX 160SL (2ch)
- DBX 160A (2ch)
- FMR RNC (2ch)
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- Warm Audio Bus-Comp (2ch)
- Warm Audio WA-1B (1ch)
- Warm Audio EQP-WA (2ch)
- Klark Teknik 76-KT (2ch)
- Klark Teknik KT-2A (1ch)
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- Klark Teknik BBD-320 (2ch)
- Lexicon LXP-1
- SSL The Bus+
Dynamic and condenser microphones to capture vocals, instruments, and ADR with clarity.
Dynamic
- Audix D6 (1)
- AKG D112 (1)
- Shure B52a (1)
- AKG D12e (1)
- Electrovoice RE20 (1)
- Shure SM57 (6)
- Shure Unidyne III (2)
- Shure SM77 (3)
- AKG D1000E (1)
- AKG D320B (1)
- Warm Audio WA-19 (2)
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- Sennheiser MD421 (3)
- Electrovoice N/D 468 (2)
- Audio Technica ATM25 (1)
- Sennheiser e609 (2)
- Shure SM7B (1)
- Shure SM58 (1)
- Sennheiser e835 (2)
- Yamaha Sub Kick (1)
Condenser
- Neumann U87Ai (1)
- Neumann TLM49 (1)
- Neumann TLM103 (2)
- Warm Audio WA-87 (2)
- Warm Audio WA-67 (1)
- Warm Audio WA-47F (1)
- Nady TCM1050 Mod (1)
- Slate ML-1 (2)
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- MJE 384K (2)
- Rode NT5 (4)
- Audio Technica 3031 (1)
- Slate ML-2 (2)
- Sennheiser MKH416 (1)
- Sanken COS11D (1)
- DI Boxes
- Countryman Type85
- Radial JDI
- Walrus Audio Canvas
- Radial DI / Stereo
Top-tier converters and summing gear for accurate and detailed audio capture.
Conversion + Summing
- MOTU 16A
- MOTU 24Ai
- MOTU 24Ao
- MOTU 8D
- Dangerous Music Convert AD+
- Burl B32 Vancouver
Studio monitors and headphones for precision mixing and mastering.
Monitoring + DAW
- Kali Audio IN-8
- Yamaha NS-10
- Avantone Mixcube
- Grace Design m905
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- Behringer P16M (7)
- Shure MD7506 (4)
- Sennheiser HD280Pro (3)
- Beyerdynamic DT770 (1)
- Beyerdynamic DT1990 (1)
- AKG K240 (1)
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- Pro Tools Ultimate (latest)
- Logic X
- FL Studio 21
- Cubase 13
- Other DAW’s available at request
- Source Connect 3.9.1
Premium drums, guitars, basses, amps, and keyboards for in-studio recording versatility.
Drums & Cymbals
- Yamaha Maple Custom Absolute 6pc.
22″ x 18″ – Kick
10″ – 12″ – 14″ – 16″ Toms
14″x 4″ Snare - Gretsch Catalina Club Rock 4pc
Mahogany
24″ x 14″ Kick
13″ – 16″ Toms
14″ x 5.5″ Snare - Additional Snares
- 14″ x 6.5″ Pork Pie “BOB”
- 14″ x 5″ 1967 Ludwig Acrolite
- 14″ x 5.5″ Yamaha Maple Custom Absolute
- 13″ x 5″ Spaun Acrylic Vented
- Cymbals
- Hi-Hats
- 14″ Zildjian A Custom Mastersound
- 14″ Zildjian A Custom New Beats
- 14″ Zildjian A Custom Quick Beats
- 15″ Zildjian K Thin
- Rides
- 20″ Zildjian K Custom Hybrid
- 20″ Zildjian A Custom Ping
- 20″ Zildjian K Crash/Ride
- Crashes
- 16″ Zildjian A Med/Thin
- 16″ Zildjian A Custom
- 17″ Zildjian A Fast
- 17″ Zildjian A Custom
- 17″ Zildjian K Dark Thin
- 18″ Zildjian A Custom Fast
- 18″ Zildjian A Custom EFX
- 19″ Zildjian A Custom
- 19″ Zildjian Dark Thin
- Hi-Hats
- Percussion
- LP Aspire Congas
- LP Performance Bongos
- Glockenspiel
- Misc. Shakers / Noise Makers
Amplifiers
- Combo Amplifiers
- ’65 Fender Deluxe Reverb (handwired)
- ’65 Fender Twin Reverb (reissue)
- ’59 Fender Bassman LTD
- Vox AC30CC2x
- Guitar Amplifier Heads
- 1978 Marshall JMP 1959
- Marshall JCM800 2203X
- 1992 Peavey 5150 Block Letter
- 2001 Mesa Boogie Dual Rec. Rev G
- Orange Rocker 30
- Silvertone Twin Twelve 1484
- Roland JC120H
- Guitar Amplifier Cabinets
- Mesa Boogie STD Oversized 4×12″ (2000) (Celestion V30 UK)
- Marshall 1960A 4×12″ (Celestion V30 UK)
- Harley Benton 2×12″ (Celestion G12EVH “Greenbacks”)
- Marshall 1936 2×12″ Celestion V30 UK)
- Fender Dual Showman 2×15″
- Bass Amplifier Heads
- Ampeg PF-50T
- Bass Amplifier Cabinets
- Ampeg PF 115HE
- SWR/Eden Goliath 410
Keyboards
- Arturia Keylab 61 MKii
- StudioLogic SL88 Grand
Guitars & Basses
- Acoustic Guitars
- Martin DRS2
- Taylor 114E
- Lyle W-460 (Hummingbird Lawsuit)
- Yamaki 430 12-String
- Takamine C132S (Classical)
- Takamine EAN40C
- Electric Guitars
- 1990 Fender Stratocaster Plus
- 1998 Fender Stratocaster “Clapton”
- 1998 Fender Standard Telecaster
- Epiphone Les Paul 1960 Tribute Plus
- Gretsch Electromatic
- Electric Basses
- Fender Standard Jazz Bass
- Fender P-Bass Mark Hoppus
- Misc. Guitar Pedals
- Ibanez TS9 Mini
- Boss SD-1
- Boss OD-3
- Nobels ODR-1
- Fulltone OCD
- MXR Script Phase 90
- JHS Notaklon
- JHS @ Andy Timmons
- Fulltone Full-Drive 2
- Keely D&M Drive
- Friedman BD-OD
- Friedman Smallbox
- Warm Audio Warmdrive
- JHS Supreme Fuzz
- Walrus Audio Contraband
- Walrus Audio ARP-87
- MXR Carbon Copy
- Electro Harmonix Small Clone
- Tech 21 Bass Driver
- MXR Bass DI+
- Boss ODB-3
- Boss CEB-3
